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| Trumpet Studio is about: Trumpet lessons and trumpet books by Michael Droste. Thousands of trumpet students worldwide helped from amateur to pro level have been helped through these articles and consultations. Articles on this site include: mouthpieces, range, practicing, lip buzzing, recordings, trumpet method books, equipment, oil, braces and issues, technical study, warm up routine, midi files, staff paper, trumpet scales, and finally work pages. Check out our trumpet lessons, our online trumpet lessons and our trumpet books. Trumpet playing, trumpet lessons, trumpet books. Trumpet Studio covers these topics: trumpet, trumpet playing, trumpet lessons, trumpet books, Stevens, Superchops, Maynard Ferguson, mouthpieces, Bach, Bill Chase, Callet, Schilke, Doc Severinsen, Yamaha, Maggio, embouchure, trumpet books, trumpeter, trumpeting, Marsalis, Louis Armstrong - Thanks for visiting TrumpetStudio.com - Michael Droste |
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TRUMPET TONGUING TIPS |
Double Tonguing and Single Tonguing
The key to greatness is PATIENCE.
Can you WORK in a calm methodical fashion?
Can you be patient enough to allow yourself time to DEVELOP SKILLS and PRACTICE?
This information is truly the greatest gift. This is a process you can do with all of your music, begin working passages, exercises, pieces in a slow methodical manner. As you work the piece, you should also concentrate on the correct sound, timbre, tonguing, phrasing and musicality. After 10 or more repetitions of playing just 2-3 measures perfectly, increase the speed one metronome marking. THIS WILL MAKE YOU A BETTER PLAYER, FASTER! Can you be patient AND do the work?
To those of you that go for walks, I have the best-kept secret. Walking in a steady tempo is perfect for practicing tonguing! REMEMBER patience. For the first week of walking, each step should be a double tongue syllable. Step 'Ti' Step 'KA' Step 'Ti' Step 'KA' etc
IDEALLY, if you could do this for two weeks it would be FANTASTIC! (Think you can?) You want to be sure to clearly enunciate each syllable, a sharp 'Ti' and an equally clear 'KA' THAT's ALL and enough!!!!
The third week (You did do two weeks of 'Ti' and 'KA' RIGHT?) you should begin to combine the two. We walk at approximately 84 Beats Per Minute. This is a great starting tempo for double tonguing. Again, not in a hurry, but taking the time to practice and develop the skills, slowly and clearly say 'Ti - KA' to EACH step. Do this for THREE weeks. The rhythms need to be clean and precise, there should be NO difference between the 'TI' or 'KA'
AFTER FIVE WEEKS, of skill building now you can play popular double tonguing books and gradually increase the speed. FOR THE BEST RESULTS, go back to the third week exercises and practice slowly, cleanly and clearly.
If you are willing to DO THE WORK and be PATIENT you will succeed at double tonguing in just a few months!
Syllables For Single Tonguing TA, TEE, TOO, DA, DEE, DO
Syllables For Double Tonguing TI-KA, TA-KA, DA-KA, TEE-KEE, DEE-KEE
Or combinations from single tonguing syllables with a 'KA' or 'KEE' ending.
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The Trumpet
Trumpet [Fr. trompette; Ger. Trompete, It. tromba, Sp. trompeta]. A soprano brass instrument commonly about 1.4 m. (4 1/2 ft.) in tube length, folded twice to a narrow rectangular shape about 35 cm. (14 in.) long. The trumpet is the highest brass instrument in register, above the tuba, euphonium, trombone, sousaphone, and french horn. A person who plays the trumpet is called a trumpeter or simply, trumpet player. Its powerful tone is created by lip vibration against its cup-shaped mouthpiece. A trumpet consists of a cylindrical tube, shaped in a primary oblong loop that flares into a bell. The brass family can trace its ancestry back to herald trumpets, hunting horns, and military bugles. The valved trumpet was developed in the 1820s. Modern trumpets also have three piston valves as well as small, secondary tubing that act as tuning slides to adjust the tone. Most trumpet parts since about 1900 are written either for Bb trumpet, sounding one tone lower, or for C trumpet at concert pitch. Its brilliant sound has since made it indispensable in a wide variety of ensembles. |
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