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| Trumpet Studio is about: Trumpet lessons and trumpet books by Michael Droste. Thousands of trumpet students worldwide helped from amateur to pro level have been helped through these articles and consultations. Articles on this site include: mouthpieces, range, practicing, lip buzzing, recordings, trumpet method books, equipment, oil, braces and issues, technical study, warm up routine, midi files, staff paper, trumpet scales, and finally work pages. Check out our trumpet lessons, our online trumpet lessons and our trumpet books. Trumpet playing, trumpet lessons, trumpet books. Trumpet Studio covers these topics: trumpet, trumpet playing, trumpet lessons, trumpet books, Stevens, Superchops, Maynard Ferguson, mouthpieces, Bach, Bill Chase, Callet, Schilke, Doc Severinsen, Yamaha, Maggio, embouchure, trumpet books, trumpeter, trumpeting, Marsalis, Louis Armstrong - Thanks for visiting TrumpetStudio.com - Michael Droste |
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| WELCOME TO TRUMPETSTUDIO.COM |
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This is a great resource site for all trumpet players. To the left are a variety of Articles to Improve Your Playing along with a Mouthpiece Selection Guide.
(All of the Web Articles are included in Chapter 10 of the Ultimate Warm-Up Book.)
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Maximizing your practice time seems to be a hot topic now. The chart below is taken from The Ultimate Warm-Up Book.
| PRACTICE SCHEDULE |
30 Minutes |
60 Minutes |
90 Minutes |
| Part 1. Getting Your Air Moving |
1 Minute |
2 Minutes |
3 Minutes |
| Part 2. Lip Buzzing |
2 Minutes |
4 Minutes |
6 Minutes |
| Part 3. Mouthpiece Work |
2 Minutes |
4 Minutes |
6 Minutes |
| Part 4. Long Tones |
2 Minutes |
4 Minutes |
6 Minutes |
| Part 5. Tonguing |
3 Minutes |
6 Minutes |
9 Minutes |
| Part 6. Flexibility |
2 Minutes |
4 Minutes |
6 Minutes |
| Part 7. Scales |
3 Minutes |
6 Minutes |
9 Minutes |
| Part 8. Range Study |
2 Minutes |
4 Minutes |
6 Minutes |
| Part 9. Flow Studies |
3 Minutes |
6 Minutes |
9 Minutes |
| Part 10. Etudes, Studies, Major Pieces and Trumpet Repertoire |
10 Minutes |
20 Minutes |
30 Minutes |
2/3 thirds of your time should be spent working on Basic Skills.
30 minute practice session: 20 minutes on Basic Skills.
60 minute practice session: 40 minutes on Basic Skills.
90 minute practice session: 1 hour on Basic Skills.
The other 1/3 of your time should be used wisely on etudes, studies, major pieces and trumpet repertoire.
REGISTER and you will receive email tips on Secrets to Trumpet Playing (every now and then).
Best of Luck, and keep on practicing - Michael Droste
The Trumpet can be found in ALL languages
en: Trumpet, is: Trompet, es: Trompeta, fr: Trompette, it: Tromba, de: Trompete, pt: Trompete
Some notable trumpet method books include:
• Arban, Jean-Baptiste (1894, 1936, 1982). Arban's Complete Conservatory Method for TRUMPET. Carl Fischer, Inc. ISBN 0-8258-0385-3.
• Kingston, Matt (2006) One Hundred and One
• Callet, Jerome, and Bahb Civiletti (2002). Trumpet Secrets: The Secrets of the Tongue-Controlled Embouchure. New York: Royal Press Printing Company.
• Herbert L. Clarke (1984). TECHNICAL STUDIES FOR THE CORNET. Carl Fischer, Inc. ISBN 0-8258-0158-3.
• Colin, Charles. Advanced Lip Flexibilities.
• Schlossberg, Max. Daily Drills & Technical Studies. You can find these on the method book page.
Through years of teaching, Mr. Droste came to the realization that students are trying to bypass Basic Skills to play songs. He wrote this book to teach others how to master all aspects of trumpet technique. With these Basic Skills mastered, one can successfully play all types and styles of music.
The Following passages are taken From The Ultimate Warm-Up for Trumpet by: Michael Droste. This 100 page, 10 chapter book goes through all aspects of Warming Up / Basic Skills. Included are: air exercises, lip buzzing, mouthpiece work, long tones, tonguing, flexibility exercises, scales, range and phrase studies, it's all there, with all of the information sequenced appropriately to optimize your practicing! This 100 page book is printed on 24lb. 25% Cotton Fiber Writing Paper. (archival quality, acid free) The book also contains a complete set of all the articles from TrumpetStudio.com. It is made to last the test of time.
The Ultimate Warm Up: Practice Guide
The first step in determining a practice schedule is to define your goals and level of commitment. The more time you are willing to devote towards improvement, the greater your results.
It is my firm belief that many of us were never taught correctly. We were taught to concentrate on individual pieces of music for concerts, or exercises from band method books, and not on the basic skills that are required to play the trumpet! You must do the work from the following chapters in this specific order to obtain the highest rewards from your practice efforts. Above all, practice as consistently as possible and try to never skip more than one day of practice.
The warm up can also be adjusted to meet your various needs. You might have a weak area, and you may wish to increase time in that section. For example, your tone may be somewhat lacking in richness and warmth. As ALL sound is created through vibrations, your first method of attack would be to increase the minutes from the lip buzzing chapter until the desired results were achieved.
Use of a metronome - There are metronome markings on each warm up in this book. Use them! The metronome is an invaluable tool and will help you to improve your internal rhythm. It will also allow you to gauge your progress. In the beginning, some of the long tones may be difficult to perform at 60 beats per minute. As time goes on and you are building endurance, it will be easier. A metronome will provide a consistent point of reference.
The Ultimate Warm Up
Table Of Contents
Part 1. Getting Your Air Moving
Part 2. Lip Buzzing
Part 3. Mouthpiece WorkA. Mid-range to pedal tones buzzing
B. Slow slides from medium to low to medium high
Part 4. Long TonesA. Mid-range to lowest possible notes
B. Mid-range to medium high notes
Part 5. TonguingA. Mid-range to lowest possible notes
B. Mid-range to highest possible notes
Part 6. FlexibilityA. Mid-range to low lip slurs
B. Low to medium high lip slurs extended
Download Chapter 7 for FREE!
Part 7. Scales (All Keys)A. Major Scale (Two octave)
B. Minor Scale (Two octave)
C. Harmonic Minor (Two octave)
D. Melodic Minor (Two octave)
E. Brief Major exercise and one octave review
Part 8. Range Study
Part 9. Flow Studies
Part 10. Addendum
A. ALL articles from TrumpetStudio.com
B. Fingering Chart
The Ultimate Warm Up
How To Use This Warm Up Book
The entire book should be played at each practice session. If time does not permit playing the entire book, then play as much of each section as time permits. Do not skip any sections. You must do the exercises in order from beginning to end. (If the Ultimate Warm Up contains exercises to high for you, skip that section until your able and go to the next exercise.)
Part 1. Getting Your Air Moving
Set your metronome to 60 bpm for these warm-ups. Air is the secret to great tonguing, range and tone production. It is THE most important aspect of playing any wind instrument. Think of your air as a continual stream of water flowing through your kitchen faucet. Always constant never stopping!
Air Tips!
-Low notes require a greater volume of air to produce a great tone. Imagine making an ‘ah’ sound in your mouth and directing the air into a large tube. Always constant never stopping.
-High notes require fast air. Imagine saying an ‘e’ sound in your mouth and directing the air super fast into a small straw! Always constant never stopping.
Part 2. Lip Buzzing
Set your metronome to 60 bpm for these warm-ups. For these exercises try to get a nice full, rich sound that is full of tone. What is done here is amplified by the mouthpiece and horn. Do not spend more than 5 minutes on this section. Go for the most beautiful sound that you can create. Listen to yourself, tape record your playing. Is your sound full, rich, warm, musical, and pleasing?
Part 3. Mouthpiece Work
Set your metronome to 60 bpm for these warm-ups. Hold the mouthpiece with the thumb and forefinger at the end of the mouthpiece. This is to keep you from putting pressure on your embouchure. The key is to keep the air constantly flowing. Go for a great sound! Listen to yourself, tape record your playing. Go for a warm, rich sound with a lot of tone. What you produce now is simply amplified by your instrument. If your sound is thin, this is the place to devote more work and energy. Play the exercises in a relaxed fashion, not loud or soft, but with a nice full tone slowly moving higher and lower as directed.
Part 4. Long Tones
Set your metronome to 60 bpm for these warm-ups. Again, the key is to keep the air constant, always flowing. Go for the most beautiful sound that you can create. Listen to yourself, tape record your playing. Is your sound full, rich, warm, musical, and pleasing? You can make beautiful music by simply playing long tones, it is possible!
Part 5. Tonguing
Set your metronome to 80 bpm for these warm-ups. The key is to keep the air constantly flowing. Think of the kitchen faucet analogy again, while the faucet is constantly flowing, imagine flicking a butter knife quickly through the stream of water. The butter knife quickly separates the water and the stream of water continues never stopping. The air flows on, but is lightly separated by the tongue. When playing these warm-ups use different syllables for tonguing. Use as directed: da, dee, do, ta, tee, to. Go for the most beautiful sound that you can create. Listen to your sound, tape record your playing. Is your sound full, rich, warm, musical, and pleasing?
Part 6. Flexibility
Set your metronome between 60 and 80 bpm for these warm-ups. Another key to playing the trumpet is flexibility. The ability to move from 2nd valve F# to 2nd valve B quickly and smoothly is essential. Along with other valve combinations, these simply have to be mastered. The key for successful lip slurs is to keep the air constantly flowing. When doing the extended slurs change the air flow! The low notes require a greater volume of air to produce a great tone. Imagine making an ‘ah’ sound in your mouth and directing the air into a large tube. Always constant never stopping. The high notes require fast air. Imagine saying an ‘e’ sound in your mouth and directing the air super fast into a small straw! Always constant never stopping. Go for the most beautiful sound that you can create. Listen to yourself, tape record your playing. Is your sound full, rich, warm, musical, and pleasing?
Part 7. Scales (All Keys) Download Chapter 7 for FREE!
Set your metronome between 60 and 80 bpm for these scales. The key to this chapter is to be Very Fluid. Keep the air constantly flowing as you pass between the different octaves. The air flows on, but is lightly separated by the tongue. Try sluring each scale, and experiment with different tounguing syllables from the chapter on tonguing. Go for the most beautiful sound that you can create. Listen to your sound, tape record your playing. Is your sound full, rich, warm, musical, and pleasing?
Part 8. Range Study
Set your metronome between 60 and 80 bpm for these warm-ups. I believe that the type of air needed to play lead is most closely related to a High Pressure Air Tank. You must tank up on the air and release the valve, releasing the Super Fast Air Stream. When playing lead one should ride this high pressure air stream and not force the lips. Let the High Pressure Air Tank and the subsequent Super Fast Air Stream do the work, NOT THE LIPS! Go for the most beautiful sound that you can create. Listen to yourself, tape record your playing. Is your sound full, rich, warm, musical, and pleasing?
Part 9. Flow Studies
Set your metronome between 60 and 80 bpm for these warm-ups. These studies are meant to make your playing as musical as possible. Sing the music, yes sing it! Imagine the most beautiful voice singing the passage in your mind. Now go to the music and reproduce exactly what you hear in your mind. Exactly! Think of each line as a separate musical idea. The goal is to think across the bar line to the end of the musical phrase. This is why musicians play and practice! Why play the trumpet if you are not receiving a musical experience? Music is full of feelings and emotions, play all your music this way and you’ll never want to stop. Go for the most beautiful sound that you can create. Listen to yourself, tape record your playing. Is your sound full, rich, warm, musical, and pleasing?
New Music Added to Chapter 9:
Piano And Trumpet
1. Bridal Chorus from Lohengrin - Richard Wagner
2. Rondeau Theme from Masterpiece Theater - Jean Mouret
3. Wedding March - Felix Mendelssohn
4. Trumpet Voluntary - Henry Purcell
5. Trumpet Tune - Henry Purcell
Trumpet Part Only
1. Hunter’s Chorus (duet) - Weber
2. Hungarian Dance No. 5 - Brahms
3. Minuet - Luigi Boccherini
4. Sonata No. 8 in C minor - Beethoven
5. Bach Horn Duet - J.S. Bach
6. Introduction to Third Act form Lohengrin
7. Waltz in Ab - Johannes Brahms
More...
Part 10. Addendum
Complete article reproduction from TrumpetStudio.com Topics include: Skill Building - How To Play High Consistently - Mouthpiece Selection is Critical for Success - Double Tonguing and Single Tonguing - Lip Buzzing - Practicing For A Performance - Finding Time To Practice - Equipment - Synthetic Oil: Use With Caution - Braces - Endurance - Popular Method Books - Recommended Discography - Fingering Chart.
EQUIPMENT
There are many different horns out there, at many different price levels. I started in 1970’s on a Holton student model, then owned a Schilke B1 through high school and college and then switched to a Calicchio R32. I am currently in search of a new horn and want to try something different.
WARNING: Stay away from the cheap Chinese made horns - they make good lamps or can be sold for scrap metal - but that’s about it. If it’s not on this list DON’T WASTE your money.
Beginner Horns: $500 - $1000
A beginner horn is PERFECT for those starting out. You DO NOT need to spend a lot to get started. A beginner horn can last a good two to four years. THIS is where YOU START. (also see used horns at the bottom)
Conn - Example: Conn 23B "USA"
Getzen - Example: Getzen 390
Holton - Example: Holton T602
Blessing
Amati
Intermediate Horns: $900 - $1900
An intermediate horns can be a fine lifetime horn when maintenance issues are addressed.
Amati
Bach - Example: Bach TR200
Jupiter - Example: Jupiter 1200S
Getzen - Example: Getzen 590S Capri Intermediate
Benge/Conn
Leblanc
Holton
Blessing
Stomvi
Pro Level Horns: $2000 +
Bach - Example: Bach 180S37
Schilke - Example: Schilke B Series
Yamaha - Example: Yamaha YTR9445CHS Chicago Artist Orchestra
Monette
Calicchio - Example: Calicchio R32
Taylor - Example: Taylor Trumpet Chicago Standard
Wild Thing
Kanstul
Used Horns / EBAY:
They are some great deals to be found. Things to consider:
• How many sales does the seller have? (at least 50+)
• Is their feedback rating above 95%?
• What is their return policy?
• How many musical instruments have they sold?
• How is the finish? Are there dents? Other issues?
• Why are they selling?
Keep these questions in your mind as you search, and you can get a good deal on used horn.
Whatever you purchase, I recommend a chemical cleaning from The Brass Bow in Arlington Heights. IL. It is worth it for the cleaning and fixing of dents and/or problems with used horns.
Below is a review of the Calicchio R32:
Construction
The horn is very well constructed and will last over the long haul. The left thumb U hook and right third valve loop are slightly oversized in width and really make the horn comfortable to hold. Through trial and error, I have found that large bore horns are not for me. I like the resistance of the smaller bore horns and want the horn to help play in the upper register. The Calicchio R32 has the smaller specialized Studio 2 Lead pipe that makes playing in the upper register, very easy, with no strain. The five inch R3 bell produces great projection from minimal player effort. Through its construction and the increase of copper in the horn, it has a very consistent feel as one plays from the lower octave through the upper octaves, very smooth.
Valves
The R32 valves are FANTASTIC! They are extremely fast. Due to the flat oversized finger buttons, I can actually play faster. The valves slot well, yet also allow for flexibility in jazz situations.
Intonation
The horn slots well in a very smooth fashion. It allows for flexibility, but also locks in the pitch easily. The intonation is excellent and has not been an issue.
Tone Quality
Because of the higher copper content, this horn gravitates towards a beautiful warm rich tone.
The R32 projects well and is extremely smooth and pleasing to the ear. It is very versatile for many musical styles. The sound blends well with other instruments: piano, organ and brass players.
Conclusion:
The Calicchio R32 has all the features you have always wanted. It seems as though everyone’s wish list came together to make this one. It is a very flexible horn with a warm rich sound that you will enjoy playing for many years.
ENDURANCE
Many older players returning to the trumpet have ‘lost it’ from what they remember being able to play in their teens and 20’s.
A) What are your intentions?
1. Playing for fun (we’re done, keep practicing and have a good time!)
2. Playing for a goal or purpose in mind, continue reading...
B) What kind of goal?
1. Are you trying out for a dance band or group?
2. Do you want to play professionally?
3. Do you want to join an orchestra?
C) What time commitment is involved to achieve your goal?
GENERALLY SPEAKING, to have any level of skill when you go to the horn, you have to have a solid base of practicing for many months/years. If you are starting over again, GIVE YOURSELF TIME to get your chops back. IT WILL TAKE LONGER for your lips and body to adjust to the new demands. Let’s face the facts, it gets harder to play, the older we get. A general rule for practicing is this: decide upon your goal and determine what it will take to reach that level of playing. You must practice every day, or you will ‘loose it.’ As stated by many: The first day you miss practicing - you know it. The second day - the band leader knows it. The third day, the audience knows it!
My personal practice routine is the following:
A) One half to two thirds of my time is spent ’warming up’ (from my book)
B) The Clarke Technical Studies Many exercises from chapter 2, 3, 4, and 5 - Great chop and finger calisthenics, (I especially need these as I am left handed)
C) Standard trumpet repertoire: Etudes, Pieces and Songs
TRUMPET METHOD BOOKS
Below are a listing of popular method books:
Arban: Complete Conservatory Method, ed. Goldman and Smith (C. Fischer)
Arban: Methode complete, ed. Maire, 3 vols. (A. Leduc)
Clodomir: Methode complete, ed. Job (A. Leduc)
Saint-Jacome: Grand Method (C. Fischer)
Elementary Methods
Clarke: Elementary Studies (C. Fischer)
Gordon: Physical Approach to Elementary Brass Playing (C. Fischer)
Longinotti: l'Etude de la trompette (Editions Henn)
Ridgeon: Brass for Beginners (Boosey & Hawkes)
Robinson: Rubank Elementary Method (Rubank)
Wiggins: First Tunes & Studios (Oxford)
Studies
MEDIUM TO MEDIUM-DIFFICULT
Bordogni: 24 Vocalises, trans. Porret (transposition) (A. Leduc)
Bousquet: 36 Celebrated Studies, ed. Goldman (C. Fischer)
Brandt: 34 Studies and 24 Last Studies, ed. Vacchiano (Belwin-Mills)
Broiles: Have Trumpet . . . Will Transpose (transposition) (C. Colin)
Chavanne: 25 Characteristic Studies, ed. Voisin (International)
Clarke: Technical Studies (C. Fischer)
Clarke: Setting Up Drills (C. Fischer)
Colin: Advanced Lip Flexibilities (C. Colin)
Endresen: Supplementary Studies (Rubank)
Gallay: 22 Exercises, ed. Maire (A. Leduc)
Glantz: The Complete Harry Glantz (C. Colin)
Goldman: Practical Studies (C. Fischer)
Gower and Voxman (ed.): Rubank Advanced Method (Rubank)
Hering: 32 Etudes (C. Fischer)
Hovaldt: Lip Flexibility (R. King)
Kopprasch: 60 Studies, ed. Gumbert and Herbst, 2 vols. (C. Fischer)
Laurent: Etudes pratiques, 3 vols. (A. Leduc)
Maniscalco: Leonardo Maniscalco, trumpet player with the Rome Opera House orchestra, has published two books of trumpet etudes. La sonorità e la tecnica, vols 1 and 2. I really like these!!!
Pares: Scales (Rubank)
Salvation Army: 101 Technical Exercises (Salvation Army)
Schlossberg: Daily Drills and Technical Studies (M. Baron)
Skornicka: Rubank Intermediate Method (Rubank)
Smith: Lip Flexibility (C. Fischer)
Staigers: Flexibility Studies, 2 vols. (C. Fischer)
Stamp: Warm-ups plus Studies (Editions Bim)
Vacchiano: Trumpet Routines (C. Colin)
Zauder: Embouchure & Technique Studies (C. Colin)
DIFFICULT
Andre: 12 Etudes caprices dans le style baroque (piccolo trumpet) (Editions Billaudot)
Balasanyan: 20 Studies, ed. Foveau (International)
Balay: 15 Etudes (A. Leduc)
N. Bizet: 12 Grandes etudes de perfectionnement (A. Leduc)
Bodet: 16 Etudes de virtuosite d'apres J.S. Bach (A. Leduc)
Broiles: Trumpet Baroque, 2 vols. (piccolo trpt.) (Queen City)
Charlier: Etudes transcendantes (A. Leduc)
Clarke: Characteristic Studies (C. Fischer)
Duhem: 24 Etudes (C. Fischer)
Gallay: 12 Grand caprices, ed. Maire (A. Leduc)
Gallay: 39 Preludes, ed. Maire (A. Leduc)
Harris: Advanced Studies (C. Colin)
Hickman: The Piccolo Trumpet (Tromba Publications)
Longinotti: Studies in Classical and Modern Style (International)
Petit: 15 Etudes techniques et melodiques (A. Leduc
Petit: Grandes etudes (A. Leduc)
Sachse: 100 Etudes (transposition) (International)
Smith: Top Tones (C. Fischer)
Webster: Method for Piccolo Trumpet (Brass Press)
PLAYING IN THE UPPER REGISTER
There is a systematic approach to playing high notes on a consistent basis. The four most important aspects are: (1) High Pressure Air Tank (2) Tongue Position (3) Lip Position (4) Super Fast Air Stream
(1) First, you must have air the reserves ready to be called up at a moments notice. I believe that the type of air needed to play lead is most closely related to a High Pressure Air Tank. You must tank up on the air and release the valve, releasing the Super Fast Air Stream. When playing lead one should ride this high pressure air stream. Let the High Pressure Air Tank and the subsequent Super Fast Air Stream help do the work. It's not the QUANTITY of air, but the SPEED of the air stream. Playing high notes actually requires quite a small quantity of air.
(2) Next, Tongue Position should also be addressed. Saying ‘ah’ lowers the tongue and increase the ‘VOLUME’ of air. We don't want volume, but a Super Fast Air Stream. Saying ‘ee’ arches the tongue and 'INCREASES AIR SPEED' for high note playing.
(3) Lip Position. Imagine you have a tennis ball in your fingertips - now squeeze! This squeeze or pushing of your lips together is needed to play high. I personally use what people have called the ‘Superchop Method’ I pivot to push the lips over the top teeth and arch my tongue to alter the air stream. My lower lip curls in over the top of the bottom teeth. The top lip slightly overlaps the lower lip. The lip compression comes from pulling all of the muscles in toward the center.
(4) Finally, one must use a Super Fast Air Stream. The key is to achieve an incredible velocity of air, not quantity. The velocity must be so fast that it screams through the horn like a Mach 4 fighter jet. I mean fast! You should not puff your cheeks at anytime, check in a mirror. If you are puffing your cheeks, take your hand and literally hold your checks in, until your muscles are strong enough to do it on its own. Your goal is to obtain this Super Fast Air Stream INSTANTLY. It is the air speed, combined with lip and tongue position, that will give you success in the upper register.
Using the Air Tank, Tongue Position, Lip Position, and Air Speed YOU must also practice high note playing EVERYDAY. I often take the Clarke Studies up to the next octave for practicing. Or perhaps you could practice the leads to your favorite big band or pop charts. Either way, nothing happens without practice and hard dedicated work.
This list is a PARTIAL list and not meant to offend ANYONE. If you don't see YOUR favorite player, it's not because I don't like them or their music. (I Do) This is a list to get started with your exploration of other trumpet players and their sound / musical style. It is just the beginning of your quest!
BEGINNING LISTENING LIST FOR TRUMPET PLAYERS
Cat Anderson (Wow)
Snooky Young
Canadian Brass
Rafael Mendez (Amazing)
Doc Severinsen
Wynton Marsalis (Play like this!)
Louis Armstrong (How could you not?) (Especially with Ella…)
Bill Chase (Taken too soon… what would he have done today?)
David Hickman
Empire Brass
Adolph Herseth (THE best orchestral player)
Jazz Trumpet Virtuosos (EVERYONE NEEDS THIS ONE) Breacker, Shew, Vax, Vizzutti
25 Great Jazz Trumpet Solos (see above) Armstrong, Eldridge, Bix, Oliver, Cootie, James
Herbert L. Clarke (Cool)
Allen Vizzutti
Maurice Andre
Trumpet Summit Vizzutti/Shew/Dimartino
CAT ANDERSON + SNOOKY
Best of Louie Bellson
TRRACK LISTING
01. Sunshine Swing
02. Chameleon
03. Melody For Thelma
04. Intimacy Of The Blues
05. Movin' On
06. Niles Blues
07. Quiet Riots
08. I Wonder Why
09. Night Birds
Date: Jan 1, 1987
Length: 46:41 minutes
Label: FANTASY/PABLO
Genre: JAZZ
Category: Jazz
Performers
Cat Anderson: Trumpet
Louie Bellson: Drums
Conte Candoli: Trumpet
John Heard: Bass
Don Menza: Sax (Tenor)
Blue Mitchell: Trumpet
Ross Tompkins: Piano
Snooky Young: Trumpet
CANADIAN BRASS
Canadian Brass: 2 Centuries Of Hits
Label: SONY MUSIC SPECIAL PRODUCTS
Catalog: 28121
Canadian Brass: Ain't Misbehavin'
Label: BMG/RCA VICTOR
Catalog: 60979
Canadian Brass: All You Need Is Love
Label: BMG/RCA VICTOR
Catalog: 68970
Canadian Brass: Basin Street
Label: SONY CLASSICS
Catalog: 42367
Canadian Brass: Best Of Canadian Brass
Label: SONY CLASSICS
Catalog: 45744
Canadian Brass: Bolero & Other Blockbusters
Label: BMG/RCA VICTOR
Catalog: 68109
Canadian Brass: Brass Busters
Label: BMG/RCA VICTOR
Catalog: 68076
Canadian Brass: Brass In Berlin
Label: SONY/COLUMBIA
Catalog: 39035
Canadian Brass: Brass On Broadway
Label: PGD/PHILIPS
Catalog: 42133
Canadian Brass: Champions
Label: SONY CLASSICS
Catalog: 37797
Canadian Brass: English Renaissance Music
Label: SONY CLASSICS
Catalog: 45792
Canadian Brass: Essential Canadian Brass
Label: PGD/PHILIPS
Catalog: 32571
Canadian Brass: Fireworks!
Label: BMG/RCA VICTOR
Catalog: 68257
Canadian Brass: Go Baroque!
Label: BMG/RCA VICTOR
Catalog: 68107
Canadian Brass: Goldberg Variations
Label: BMG/RCA VICTOR
Catalog: 63610
Canadian Brass: Greatest Hits
Label: BMG/RCA VICTOR
Catalog: 4733
Canadian Brass: High Bright Light & Clear
Label: BMG/RCA VICTOR
Catalog: 4574
Canadian Brass: Live
Label: SONY CLASSICS
Catalog: 39515
Canadian Brass: More Greatest Hits
Label: BMG/RCA VICTOR
Catalog: 5628
Canadian Brass: Mozart Album
Label: SONY CLASSICS
Catalog: 44545
Canadian Brass: Noel
Label: BMG/RCA VICTOR
Catalog: 62683
Canadian Brass: Play Pachelbel Kanon
Label: BMG/RCA VICTOR
Catalog: 3554
Canadian Brass: Plays Bernstein
Label: BMG/RCA VICTOR
Catalog: 68633
Canadian Brass: Ragtime!
Label: BMG/RCA VICTOR
Catalog: 68110
Canadian Brass: Red Hot Jazz-Dixieland Album
Label: PGD/PHILIPS
Catalog: 32999
Canadian Brass: Red White & Brass
Label: PGD/PHILIPS
Catalog: 34276
Canadian Brass: Renaissance Men
Label: BMG/RCA VICTOR
Catalog: 68108
Canadian Brass: Strike Up The Band/Gershwin
Label: BMG/RCA VICTOR
Catalog: 6490
Canadian Brass: Take The A Train
Label: BMG/RCA VICTOR
Catalog: 63455
Canadian Brass: Toccata Fugues & Other Diversi
Label: OMEGA CLASSICS
Catalog: 3014
Canadian Brass: Village Band
Label: BMG/RCA VICTOR
Catalog: 4436
RAFAEL MENDEZ
Rafael Mendez: Legacy
TRACK LISTING
01. Severinsen Introduction: Samba Gitana; I Know That You Know
02. Warming Up And Practicing
03. Touring
04. Starting Sons On The Trumpet
05. Vibrato: Tico, Tico (Excerpt)
06. Musical Concepts
07. Lip Injury
08. Lip Injury: Mexican Hat Dance (Excerpt)
09. Developing Technique: Tico, Tico (Excerpt); Mexican Hat Dance (Excerpt)
10.Developing Technique: Bo, Bo Baila (Excerpt); Yuba (Excerpt)
11. Developing Technique: Arban Single Tongue Excercises
12. Czardas
Date: April 22, 1997
Label: SUMMIT
Catalog: 178
Category: Classical Artists
MENDEZ (TRPT)/SEVERINSEN (NARR
Rafael Mendez: Legendary Trumpet Virtuosity
TRACK LISTING
01. La Virgen de la Macarena
02. A Trumpeter's Lullaby
03. Mendez Jota
04. Czardas
05. Chiapanecas
06. Tico, Tico
07. Flight of the Bumble Bee
08. Dark Eyes
09. I Know That You Know
10. Yuba
11. Mexican Hat Dance
12. Farewell, My Granada
13. Danse Boheme (from Carmen)
14. Mendez Czardas
15. Mendelssohn Concerto
16. Bell Song (from Lakme)
17. Samba Gitana
18. La Rosita
19. Zigeunerweisen
Date: July 14, 1995
Label: SUMMIT
Catalog: 177
Category: Classical Artists
MENDEZ (TRP)
DOC SEVERINSEN
Doc Severinsen: Trumpet Spectacular
TRACK LISTING
01. Napoli - Canzone Napolitana Con Variazioni
02. Largo Al factotum From The Barber Of Secille, Act I
03. Trumpet Voluntary in D
04. Jesus, Jou Of Man's Desiring
05. The Flight Of The Bumblebee
06. A Carmen Fantasy For Trumpet And Orch
07. Medley Of Famous Tenor Arias
08. La Danza
09. Traumerei
10. Carnival Of Venice, Fantasia Brillante
11. A Trumpeter's Lullaby
12. Chaconne
NOTES
Date: 1990
Length: 65:28 minutes
Label: TELARC
Catalog: 80223
Genre: EASY
Category: Classical Artists
SEVERINSEN (TRPT) KUNZEL/CINCINNATI POPS
Doc Severinsen: Very Best Of Doc Severinsen
TRACK LISTING
01. Begin The Beguine
02. April In Paris
03. Flying Home
04. I'm Getting Sentimental Over You
05. In The Mood
06. Georgia On My Mind
07. One O'Clock Jump
08. Stardust
09. Honeysuckle Rose
10. Poor Butterfly
11. I Can't Get Started
12. What Is This Thing Called Love
13. City Lights
14. Siciliano
15. Take The 'A' Train
16. Johnny's Theme (The Tonight Show Theme)
NOTES
Date: Sep 23, 1997
Length: 98:41 minutes
Label: AMHERST
Genre: JAZZ
Category: Big Band
WYNTON MARSALIS
Wynton Marsalis: Classic Wynton
TRACK LISTING
01. The King's March - Wynton Marsalis
02. Con in C, RV.537: I. Allegro - Wynton Marsalis
03. Entrada (from The Indian Queen) - Wynton Marsalis/Edita Gruberova
04. The Prince of Denmark's March - Wynton Marsalis
05. Tpt Voluntary - Wynton Marsalis
06. Let the Bright Seraphim (from Samson)
07. Rondeau (from Stes de Symphonies: Premiere Ste, Fanfares)
08. Brandenburg Con No.2, BWV 1047: III. Allegro assai (excerpt)
09. Prld from Te Deum, H.146
10. Tpt Con in D: II. Allegro moderato
11. Tpt Con in D: I. Adagio
12. Tpt Con in E-flat, Hob. VIIe:I: III. Finale. Allegro
13. Tpt Con in E: III. Rondo. Allegro molto
14. 'Tis the Last Rose of Summer
15. Vars on 'Le Carnaval de Venise'
16. Rondo for Lifey
17. Prayer of St. Gregory, Op.62b
18. Tpt Con: I. Allegro
19. Moto Perpetuo, Op.11
20. Flight of the Bumblebee (from Tsar Saltan)
NOTES
Date: November 10, 1998
Label: SONY CLASSICS
Catalog: 60804
Genre: JAZZ
Category: Classical Artists
MARSALIS (TRPT)
Wynton Marsalis: Carnaval
TRACK LISTING
01. Vars Sur 'Le Carnival De Venise'
02. The Debutante (Caprice Brillant)
03. Believe Me, If All Those Endearing Young Charms
04. Grand Russian Fantasia
05. Moto Perpetuo, Op. 11
06. 'Tis The Last Rose Of Summer
07. 'The Flight Of The Bumblebee' From Tsar Saltan
08. Napoli-Variations On A Neapolitan Song
09. Fantaisie Brillante
10. Sometimes I Feel Like A Motherless Child
11. Valse Brillante ('Sounds From The Hudson')
NOTES
Label: SONY CLASSICS
Catalog: 42137
SPAR: DDD
Category: Classical Artists
MARSALIS (CORONET) HUNSBERGER/EASTMAN WIND ENSEMB
LOUIS ARMSTRONG
Fitzgerald*Ella /Armstrong*Louis: Complete Ella Fitzgerald &
Louis Armstrong On Verve
TRACK LISTING
Disc1
01. Can't We Be Friends?
02. Isn't This A Lovely Day?
03. Moonlight In Vermont
04. They Can't Take That Away From Me
05. Under A Blanket Of Blue
06. Tenderly
07. A Foggy Day
08. Stars Fell On Alabama
09. Cheek To Cheek
10. The Nearness Of You
11. April In Paris
12. Don't Be That Way
13. Makin' Whoopie
14. They All Laughed
15. Comes Love
16. Autumn In New York
Disc2
01. Let's Do It
02. Stompin' At The Savoy
03. I Won't Dance
04. Baby, Ain't It Good For You?
05. Let's Call The Whole Thing Off
06. These Foolish Things
07. I've Got My Love To Keep Me Warm
08. Willow Weep For Me
09. I'm Puttin' All My Eggs in One Basket
10. A Fine Romance
11. III Wind (You're Blowin' Me No Good)
12. Love Is HereTo Stay
13. I Get A Kick Out Of You
14. Learnin' The Blues
15. You Won't Be Satisfied (Until You Break My Heart)
16. Undecided
Disc3
01. Overture
02. Summertime
03. I Wants To Stay Here
04. My Man's Gone Now
05. I Got Plenty O' Nuttin'
06. The Buzzard Song
07. Bess, You Is My Woman Now
08. It Ain't Necessarily So
09. What You Want Wid Bess
10. A Woman Is A Sometime Thing
11. Oh, Doctor Jesus
12. Medley: Here Come De Honey Man/Crab Man/Oh, ...
13. There's A Boat Dat's Leavin' Soon For New York
14. Oh, Bess, Oh Where's My Bess?
15. Oh, Lawd, I'm On My Way
NOTES
Date: August 16, 1956
Label: PGD/VERVE
Genre: JAZZ
Category: Jazz
3 CD SET
Louis Armstrong: 1947-50
TRACK LISTING
01. Chinatown, My Chinatown
02. Swing That Music
03. Heebie Jeebies
04. Baby Won't You Please Come Home
05. I Can't Give You Anything But Love Baby
06. Ain't Misbehavin'
07. Back O'Town Blues
08. Storyville Blues
09. Panama
10. Royal Garden Blues
11. Dippermouth Blues
12. Mahogany Hall Stomp
13. Muskrat Ramble
14. St. Louis Blues
15. Rockin' Chair
16. Tiger Rag
17. Black And Blue
18. Confessin'
19. Stuttin' With Some Barbecue
20. Lazy River
21. You Rascal You
22. Save It Pretty Mama
NOTES
Date: 1947
Length: 68:34 minutes
Label: FORLANE (FRA)
Genre: JAZZ
Category: Jazz Traditional
FEAT. EDMOND HALL'S ALL-STARS
CREDITS
Performers
Louis Armstrong: Trumpet, Vocals
Sidney "Big Sid" Catlett: Drums
Henderson Chambers: Trombone
Buddy Cole: Piano
Jimmy Crawford: Drums
Nick Fatool: Drums
Edmond Hall: Clarinet
Earl Hines: Piano
Peanuts Hucko: Clarinet
Ellis Larkins: Piano
Jack Lesberg: Bass
Irving "Mouse" Randolph: Trumpet
Pee Wee Russell: Clarinet
Jack Teagarden: Trombone, Vocals
George Van Eps: Guitar
Joe Venuti: Violin
Louis Armstrong: All Time Greatest Hits
TRACK LISTING
01. What A Wonderful World
02. Hello Dolly
03. Sittin' In The Sun
04. Mack The Knife (Theme From 'Three Penny Opera')
05. A Kiss To Build A Dream On
06. It Takes Two To Tango
07. That Lucky Old Sun (Just Rolls Around In Heaven...
08. Kiss Of Fire
09. (When We Are Dancin' ) I Get Ideas
10. Gone Fishin'
11. Skokiaan
12. La Vie En Rose
13. The Dummy Song
14. Chloe
15. I Still Get Jealous
16. When You're Smiling
17. Blueberry Hill
18. When It's Sleepy Time Down South
NOTES
Date: September 6, 1949
Label: UNI/MCA
Genre: JAZZ
Category: Jazz Traditional
Louis Armstrong: Louis & His Friends
TRACK LISTING
01. Sleepy Time Down South
02. Royal Garden Blues
03. Blueberry Hill
04. Way Down Yonder In New Orleans
05. Basin Street Blues
06. Baby Won't You Please Come Home
07. Rockin' Chair
08. Back O'Town Blues
09. Steak Face
10. I've Gotta Right To Sing The Blues
11. I Get Ideas Right
12. Because Of You
13. Lover's Leap
NOTES
Date: May 26, 1970
Length: 40:46 minutes
Label: GNP/CRESCENDO
Genre: JAZZ
Category: Jazz Traditional
CREDITS
Performers
Louis Armstrong: Trumpet, Vocals
Barney Bigard: Clarinet
Nick Fatool: Drums
Morty Korb: Bass
Charlie LaVere: Piano
Jack Teagarden: Trombone, Vocals
Louis Armstrong: Westend Blues 1926-33
TRACK LISTING
01. Static Strut
02. Cornet Chop Suey
03. Heebie Jeebies
04. Sweet Little Papa
05. I Want A Big Butter And Egg Man
06. Potato Head Blues
07. Struttin' With Some Barbecue
08. I'm Not Rough
09. Hotter Than That
10. Savoy Blues
11. West End Blues
12. Skip The Gutter
13. Beau Koo Jack
14. Weather Bird
15. Muggles
16. Mahogany Hall Stomp
17. I'm A Ding Dong Daddy
18. Confessin'
19. If I Could Be With You
20. You're Lucky To Me
21. Star Dust
22. Lawd, You Made The Night Too Long
23. Basin Street Blues
24. Mahogany Hall Stomp
NOTES
Date: Nov 21, 1995
Label: INDIGO (UK) -- DNA --
Category: Jazz Traditional
BILL CHASE
Bill Chase: Chase
TRACK LISTING
01. Open Up Wide - Chase
02. Livin In Heat - Chase
03. Hello Groceries - Chase
04. Handbags And Gladrags - Chase
05. Get It On - Chase
06. Boys And Girls Together
07. Invitation To A River
NOTES
Date: 1971
Genre: ROCK
CREDITS
Performers
Jay Burrid: Percussion
Bill Chase: Trumpet
Dennis Johnson: Bass, Vocals
Ted Piercefield: Trumpet, Vocals
Phil Porter: Keyboards
Terry Richards: Vocals
Angel South: Guitar, Vocals
Jerry VanBlair: Trumpet, Vocals
Alan Ware: Trumpet
DAVID HICKMAN
David Hickman: Plays Stevens/Kennan/Mendez/
TRACK LISTING
01. Credo - David Hickman/Pauline Soderholm
02. Son: Allegro Moderato - David Hickman/Pauline Soderholm
03. Son: Adagio Tenero - David Hickman/Pauline Soderholm
04. Son: Allegro - David Hickman/Pauline Soderholm
05. Rose Vars - David Hickman/Pauline Soderholm
06. Ste: Adagio
07. Ste: Adagio; Allegro
08. Ste: Allegro Vivo
09. Caprice
10. Son: With Strength And Vigor
11. Son: Rather Slowly And With Freedom
12. Son: Moderately Fast, With Energy
13. Son: Theme And Vars
14. Son: Andante Liberamente
15. Son: Allegro Spumente
16. Scherzo in d
NOTES
Date: April 30, 1996
Label: CRYSTAL RECORDS
Catalog: 668
Category: Classical Artists
HICKMAN/DALHEIM/SODERHOLM
EMPIRE BRASS
Empire Brass: Class Brass-Classical Favorite
Label: TELARC
Catalog: 80220
Empire Brass: Class Brass-On The Edge
Label: TELARC
Catalog: 80305
Empire Brass: Firedance
Label: TELARC
Catalog: 80493
Empire Brass: Greatest Hits
Label: TELARC
Catalog: 80438
Empire Brass: On Broadway
Label: TELARC
Catalog: 80303
Empire Brass: Romantic Brass-Music Of France
Label: TELARC
Catalog: 80301
Empire Brass & Friends: Braggin' In Brass
Label: TELARC
Catalog: 80249
Empire Brass Quintet: King's Court & Celtic Fair
Label: TELARC
Catalog: 80380
Empire Brass Quintet: Passage
Label: TELARC
Catalog: 80355
Empire Brass Quintet: Royal Brass-Baroque Music
Label: TELARC
Catalog: 80257
Michael Murray & Empire Brass: Music For Organ Brass & Percus
Label: TELARC
Catalog: 80218
VARIOUS
Blow: Jazz Trumpet Virtuosos / Various
TRACK LISTING
01. Billie's Bounce - Vaughn Nark
02. Guaruja - Randy Brecker
03. Playing With Fire - Bobby Shew
04. Short Stop - Mike Vax
05. Tromba - Allen Vizzutti
06. Struttin' With Some BBQ
07. Been There, Done That, Got The T-Shirt
08. Rockin' Chair
09. Ronita's Fantasy
10. Amorado
11. San Miguel
NOTES
Date: October 20, 1998
Genre: JAZZ
25 GREAT JAZZ SOLOS
VARIOUS -Hot Trumpets: Hot Trumpets-25 Great Jazz Trumpet Solos
TRACK LISTING
01. West End Blues - Louis Armstrong
02. Swing Out - Red Allen
03. Singin' The Blues - Bix Beiderbecke
04. I Can't Get Started - Bunny Berigan
05. I'm Free - Billy Butterfield
06. Fiesta In Blue - Buck Clayton
07. What's The Reason? - Bill Coleman
08. Heckler's Hop - Roy Eldridge
09. Swing High - Ziggy Elman
10. Just A Mood - Harry James
11. If You See Me Comin' - Tommy Ladnier
12. Five Point Blues - Yank Lawson
13. Swingin' At The Hickory House - Wingy Manone
14. Black And Tan Fantasy - Bubber Miley
15. Parkway Stomp - Punch Miller
16. Take The 'A' Train - Ray Nance
17. The Panic Is On - Frankie Newton
18. That's No Bargain - Red Nichols
19. Dippermouth Blues - King Oliver
20. At The Fat Man's - Charlie Shavers
21. Jazz Battle - Jabbo Smith
22. Baby Doll - Joe Smith
23. Relaxin' At The Touro - Muggsy Spanier
24. The Lion Of Judah - Rex Stewart
25. Cootie's Concerto (Echoes Of Harlem) - Cootie Williams
NOTES
Date: August 20, 1996
Label: ASV LIVING ERA
Genre: JAZZ
Category: Jazz Collections
ARMSTRONG/ALLEN/BERIGAN/BASIE DORSEY/
JAMES/NANCE/STEWART
HERBERT L. CLARKE
Herbert L. Clarke: Original Recordings 1907-21
TRACK LISTING
01. Bride Of The Waves
02. The Holy City
03. Sounds From The Hudson (Valse Brilliante)
04. Killarney
05. Caprice Brilliante (The Debutante)
06. Perhaps Love's Dream Will Last Forever
07. Carnival Of Venice
08. Ah Cupid
09. Bride Of The Waves
10. Once Upon A Time
11. Rondo Caprice (From The Shores Of The Mighty Pacific)
12. Aloha Oe (Farewell) (Hawaiian Love Song)
13. Russian Fantasie
14. The Palms
15. La Veta Caprice (Lillian)
16. Berceuse From Jocelyn
17. Sounds From The Hudson (Valse Brilliante)
18. Twilight Dreams Waltz-Intermezzo
19. Southern Cross
20. Love's Old Sweet Song
21. Showers Of Gold Scherzo
22. Macushla
23. Caprice Brilliante (The Debutante)
24. Killarney
25. Carnival Of Venice
26. Stars In A Velvety Sky
NOTES
Date: 1996
Length: 76:20 minutes
Label: CRYSTAL RECORDS
Catalog: 450
Genre: CLASS
Category: Classical Artists
CLARKE (CORNET) VARIOUS
ALLEN VIZZUTTI
Allen Vizzutti: Carnival Of Venus
TRACK LISTING
01. The Carnival Of Venus
02. Elegy
03. Son No.1: Slowly
04. Son No.1: Allegro
05. Andante And Capriccio: Andante
06. Andante And Capriccio: Capriccio
07. Son No.2: Moderato, Freely
08. Son No.2: Andante, Freely
09. Son No.2: Allegro
10. Blue Rondo
11. Son: 1/4nt=93-98
12. Son: 1/4nt=48
13. Son: 3/8nt=68
NOTES
Length: 59:17 minutes
Label: SUMMIT
Catalog: 188
SPAR: DDD
Category: Classical Artists
VIZZUTTI*A. (TRPT)/VIZZUTTI*L. TYZIK/STRING ORCH
MAURICE ANDRE
Maurice Andre: Trumpet Concertos
TRACK LISTING
Disc1
01. Brandenburg Con No.2 in F: Allegro
02. Brandenburg Con No.2 in F: Andante
03. Brandenburg Con No.2 in F: Allegro assai
04. Ste for trumpet in D: Overture
05. Ste for trumpet in D: Gigue (allegro)
06. Ste for trumpet in D: Air
07. Ste for trumpet in D: Bourree
08. Ste for trumpet in D: Marche
09. Trumpet Con in D: Allegro
10. Trumpet Con in D: Grave
11. Trumpet Con in D: Arie
12. Trumpet Con in D: Grave
13. Trumpet Con in D: Vivace
14. Trumpet Con in D: Allegro
15. Trumpet Con in D: Andante
16. Trumpet Con in D: Allegro
17. Trumpet Con in D: Adagio
18. Trumpet Con in D: Allergo
19. Trumpet Con in E flat: Allegro
20. Trumpet Con in E flat: Andante
21. Trumpet Con in E flat: Allergo
Disc2
01. Trumpet Con in D: Allegro -
02. Trumpet Con in D: Adagio-Presto-Adagio i
03. Trumpet Con in D: Allergo
04. Con in d, Op.9 No.2: Allegro e non presto
05. Con in d, Op.9 No.2: Andante
06. Con in d, Op.9 No.2: Allergo
07. Trumpet Con in D: Allegro
08. Trumpet Con in D: Andante
09. Trumpet Con in D: Allegro grazioso
10. Con for 2 trumpets, Op.46 No.1: Allegro
11. Con for 2 trumpets, Op.46 No.1: Largo
12. Con for 2 trumpets, Op.46 No.1: Allergo
13. Trumpet Con in C: Allegro moderato
14. Trumpet Con in C: Adagio
15. Trumpet Con in C: Allergo
16. Trumpet Con in C: Introduction: Larghetto
17. Trumpet Con in C: Allegro
18. Trumpet Con in C: Siciliana
19. Trumpet Con in C: Allergo giusto
NOTES
Label: EMD/EMI CLASSICS
Catalog: 69152
SPAR: ADD
Category: Classical Artists
ANDRE (TRPT) VARIOUS
TRACK LISTING
Brandenburg Concerto No.2 in F major, BWV1047
Suite for trumpet & organ in D major
Composer Handel, George Frideric
Suite for trumpet & organ in D major
Composer Handel, George Frideric
Suite for trumpet & organ in D major
Composer Handel, George Frideric
Suite for trumpet & organ in D major
Composer Handel, George Frideric
Suite for trumpet & organ in D major
Composer Handel, George Frideric
Concerto for trumpet in D major
Composer Telemann, Georg Philipp
Concerto for trumpet & orchestra, No 1 in D
Composer Haydn, Michael
Concerto for trumpet & orchestra in E flat major, H 7e No 1
Composer Haydn, Franz Joseph
Concerto for trumpet in D major
Composer Torelli, Giuseppe
Concerti à cinque (12), Op. 7
Composer Albinoni, Tomaso Giovanni
Concerto for trumpet & orchestra in D major
Composer Tartini, Giuseppe
Concerto for 2 trumpets, strings & continuo in C major, RV 537
Composer Vivaldi, Antonio
Concerto for oboe (or trumpet) & strings in C minor
Composer Marcello, Benedetto
Concerto for trumpet in C
Composer Cimarosa, Domenico
Concerto for trumpet in D major
Composer Stölzel, Gottfried Heinrich
TRUMPET SUMMIT
Vizzutti/Shew/Dimartino: Trumpet Summit
TRACK LISTING
01. Bopzutti
02. Laura Joy
03. Dragonfly
04. Autumn Leaves
05. Daahoud
06. It's Only A Paper Moon
07. Moonglow
08. It's A Heavy Town
09. Bye Bye Blackbird
10. You Don't Know What Love Is
11. All The Things You Are
NOTES
Date: 1995
Length: 68:59 minutes
Label: SUMMIT
Genre: JAZZ
Category: Jazz
ADOLPH HERSETH
Adolph Herseth, Ein Heldenleben-Richard Strauss,
Chicago Symphony Orchestra with Fritz Reiner conducting,
Adolf Herseth, Haydn Trumpet Concerto,
Chicago Symphony Orchestra with Claudio Abbado conducting,
Deutsche Grammophon 415 104-2
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The Trumpet
Trumpet [Fr. trompette; Ger. Trompete, It. tromba, Sp. trompeta]. A soprano brass instrument commonly about 1.4 m. (4 1/2 ft.) in tube length, folded twice to a narrow rectangular shape about 35 cm. (14 in.) long. The trumpet is the highest brass instrument in register, above the tuba, euphonium, trombone, sousaphone, and french horn. A person who plays the trumpet is called a trumpeter or simply, trumpet player. Its powerful tone is created by lip vibration against its cup-shaped mouthpiece. A trumpet consists of a cylindrical tube, shaped in a primary oblong loop that flares into a bell. The brass family can trace its ancestry back to herald trumpets, hunting horns, and military bugles. The valved trumpet was developed in the 1820s. Modern trumpets also have three piston valves as well as small, secondary tubing that act as tuning slides to adjust the tone. Most trumpet parts since about 1900 are written either for Bb trumpet, sounding one tone lower, or for C trumpet at concert pitch. Its brilliant sound has since made it indispensable in a wide variety of ensembles. |
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