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All Discussions

What’s the most effective way you’ve found for jazz articulation and style?
Which school or teacher shaped your approach the most, and how?
Do you think Reinhardt’s embouchure types are still useful today?
Has anyone here actually tried Callet’s Superchops method?
What’s the one “Chicago School” principle that you still use every day?
What inspired you to pick up the trumpet again after years away?
First practice session back: what surprised you the most?
What advice to a 40-year-old beginner starting again after high school band?
What’s your “comeback horn”—did you dust off the old one or buy a fresh start?
Favorite mute in your collection—and the strangest mute you’ve ever used?
Do you believe in owning multiple trumpets or just one all-purpose horn?
Which mouthpiece have you stuck with the longest, and why?
What’s your top trick for keeping valves lightning-fast and trouble-free?
Have gadgets like buzz aids or leadpipes improved your playing?
If you teach, what’s your “go-to” first lesson with a brand-new student?
Which orchestral excerpt still gives you nightmares, and how do you practice it?
How do you balance practicing high notes without destroying endurance?
Caruso, Gordon, Stamp—whose exercises changed your playing the most?
If you could design a hybrid method combining two masters, which would you pick?
What’s the scariest piece you’ve ever had to perform live?

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