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All Discussions

How do you balance practicing high notes without destroying endurance?
What’s the most effective way you’ve found for jazz articulation and style?
Which orchestral excerpt still gives you nightmares, and how do you practice it?
If you teach, what’s your “go-to” first lesson with a brand-new student?
Have gadgets like buzz aids or leadpipes improved your playing?
What’s your top trick for keeping valves lightning-fast and trouble-free?
Which mouthpiece have you stuck with the longest, and why?
Do you believe in owning multiple trumpets or just one all-purpose horn?
Favorite mute in your collection—and the strangest mute you’ve ever used?
Which piece of music makes you feel like you’ve truly “returned” as a player?
What’s your “comeback horn”—did you dust off the old one or buy a fresh start?
What advice to a 40-year-old beginner starting again after high school band?
First practice session back: what surprised you the most?
What inspired you to pick up the trumpet again after years away?
What’s the one “Chicago School” principle that you still use every day?
Has anyone here actually tried Callet’s Superchops method?
Do you think Reinhardt’s embouchure types are still useful today?
Which school or teacher shaped your approach the most, and how?
Share your all-time favorite trumpet solo—classical, jazz, or commercial.

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